Initially, I had no intention of posting pictures of Paris. I did so for La Rochelle and Montpellier, but I had never been to either city before so it was exciting for me to share these newly discovered cities.
Paris, on the other hand, was old hat. I'd been to Paris at least four times before performing there and nothing really inspired me to post pictures of a city that I guess I took for granted.
Well, after three months, my attitude towards Paris has changed. From what I understand, people either love Paris, or hate it. For me, Paris was a city that I passed through on my way to somewhere I really wanted to be. It was a city of limbo and I felt pretty neutral about it. I had seen the sights and that was that.
The three months I spent living in Paris gave me a greater appreciation for the city and just how much it has to offer. Yes, its kind of dirty and far too loud. But this bustling metropolitan definitely has a certain je ne sais quoi that extends far beyond its rich culture and heritage.
And so, without further ado, Paris!
Monday, December 28, 2009
Sunday, December 27, 2009
Opera Garnier
A few weeks ago I mentioned that I would be performing at the Opera Garnier. Well, the moment of performance has come and gone and all I can say is "wow!"
We arrived at the opera at an hour I would normally still be sleeping. This would be our only chance to run through our act on the real stage. This was of the utmost importance as the stage is at 5 degree angle. Not really the best thing for a German wheel. I was a little worried, and the wheel did have a tendency to head towards the abyss that was the orchestra pit, but that just meant stepping out of the wheel for a moment to readjust. No biggie.
We, Les Rouetabagas (don't ask), had our own dressing room, complete with piano. You never know. We were treated to lunch and even got special ID cards that, for some reason, were marked Prime Minister.
Our portion of the show went off brilliantly. Unfortunately, because of the lighting, we couldn't see the audience during the performance, but I swear photographers were clicking away non-stop! And if I may say so, H was absolutely amazing. There was a bit of a technical issue at the end and he was left alone on stage much longer than was planned for. He improvised like a champ and held the room in his hand. I was thoroughly impressed.
The whole thing happened so fast. And for some strange reason, I had the feeling that we weren't done. On the way back to the circus, and after the show that night, I was convinced we still had to do the show. Perhaps it was simply that I've known since September that we were going to perform there and I just couldn't take in that it had finally happened.
I have to admit, as far as gigs go, this is easily the least demanding one I have ever done. I did a couple of minutes of wheel and spent less than eight minutes on stage. I don't even think we rehearsed more than five hours total. The first time I ran through my portion of the act was at the opera the morning of the show.
And yet...
Being able to say that I performed at the Opera Garnier in Paris was truly an honour. For me, its the kind of event that is up there with my Olympic performance in 2006. The crazy and amazing places I end up with the circus never ceases to amaze me .
We arrived at the opera at an hour I would normally still be sleeping. This would be our only chance to run through our act on the real stage. This was of the utmost importance as the stage is at 5 degree angle. Not really the best thing for a German wheel. I was a little worried, and the wheel did have a tendency to head towards the abyss that was the orchestra pit, but that just meant stepping out of the wheel for a moment to readjust. No biggie.
We, Les Rouetabagas (don't ask), had our own dressing room, complete with piano. You never know. We were treated to lunch and even got special ID cards that, for some reason, were marked Prime Minister.
Our portion of the show went off brilliantly. Unfortunately, because of the lighting, we couldn't see the audience during the performance, but I swear photographers were clicking away non-stop! And if I may say so, H was absolutely amazing. There was a bit of a technical issue at the end and he was left alone on stage much longer than was planned for. He improvised like a champ and held the room in his hand. I was thoroughly impressed.
The whole thing happened so fast. And for some strange reason, I had the feeling that we weren't done. On the way back to the circus, and after the show that night, I was convinced we still had to do the show. Perhaps it was simply that I've known since September that we were going to perform there and I just couldn't take in that it had finally happened.
I have to admit, as far as gigs go, this is easily the least demanding one I have ever done. I did a couple of minutes of wheel and spent less than eight minutes on stage. I don't even think we rehearsed more than five hours total. The first time I ran through my portion of the act was at the opera the morning of the show.
And yet...
Being able to say that I performed at the Opera Garnier in Paris was truly an honour. For me, its the kind of event that is up there with my Olympic performance in 2006. The crazy and amazing places I end up with the circus never ceases to amaze me .
Wednesday, December 23, 2009
Wardrobe Malfucktion III
Okay, this should have been posted sooner, but in the craziness of the last few days of shows, there was just no time.
The last weeks in Paris were littered with an absurd amount of costume woes. But the third to last show would have to be tbe worst one of all. Unless, of course, you're in to Punk Rock.
I have only about a five minute gap between my first appearance on stage and my number. I go off stage, change my costume, put on my wheel shoes and do a very quick warm-up. Then, its go time. There's no time for dawdling and most of my actions are timed to the music being played on stage. It's that tight.
So you can imagine the panic when L went to zip up my costume and the head of the zipper popped off, landed on the floor and bounced away. As I have mentioned, I have five minutes to get ready for my act. What I may not have mentioned is that unlike certain other cast members, I don't have a double of my costume. No, for some strange reason the costumer designer made doubles for some people, mostly musicians, only the men, and left the acrobats (you know, the ones who roll around and suchlike) with only one costume.
So here I am, half dressed with my shirt wide open and no way/time to do anything about it. The woman in charge of costume care is backstage at this point, but isn't actually a seamstress so even if there was time to fix it, there's really nothing she could have done.
The only possible solution was... giant safety pins!
I had five inch-and-a-half safety pins holding my shirt mostly closed. I say mostly as there wasn't enough time to do a good job of it so the top was pinned unevenly and was partially open. I felt terribly self conscious my whole number, was worried the damn things would open an stab me, and on top of that, I had friends in the audience that night. Not a good way to end the run.
As you can imagine, I was pretty angry afterward. Moreover, the costume designer was in town to "do maintenance" (she was really there for the Christmas party). To further fuel the flames of rage, I ran into her before she left Paris and got to hear how the costume breaking was L and I's fault. We must have pulled it too hard. The zipper can't be pulled up quickly otherwise it gets caught, so I have a hard time believing that. Apparently it was also unsewn in a number of places. Clearly a result of the sharp spikes that grown out of my side...
She then went on to say how she had so much to do in Paris, but was too tired and didn't even get half of it done. She should be bringing some costumes back with her to work on, but, boff, she was just too tired...
When I mentioned all this to the technical director, he seemed utterly shocked. Shocked I say! I just hope it shocks him into giving the costume designer a swift kick in the ass. She's being paid, and having her transportation paid for, by the circus and and yet the artists remain in disintegrating costumes.
The costume was fixed for the next night's show. I don't imagine anything will have changed when we start again in January, but hopefully there will be doubles, the doubles would have should have had months and months ago, when we come back from the break before the spring portion of the tour.
Keep your fingers crossed!
The last weeks in Paris were littered with an absurd amount of costume woes. But the third to last show would have to be tbe worst one of all. Unless, of course, you're in to Punk Rock.
I have only about a five minute gap between my first appearance on stage and my number. I go off stage, change my costume, put on my wheel shoes and do a very quick warm-up. Then, its go time. There's no time for dawdling and most of my actions are timed to the music being played on stage. It's that tight.
So you can imagine the panic when L went to zip up my costume and the head of the zipper popped off, landed on the floor and bounced away. As I have mentioned, I have five minutes to get ready for my act. What I may not have mentioned is that unlike certain other cast members, I don't have a double of my costume. No, for some strange reason the costumer designer made doubles for some people, mostly musicians, only the men, and left the acrobats (you know, the ones who roll around and suchlike) with only one costume.
So here I am, half dressed with my shirt wide open and no way/time to do anything about it. The woman in charge of costume care is backstage at this point, but isn't actually a seamstress so even if there was time to fix it, there's really nothing she could have done.
The only possible solution was... giant safety pins!
I had five inch-and-a-half safety pins holding my shirt mostly closed. I say mostly as there wasn't enough time to do a good job of it so the top was pinned unevenly and was partially open. I felt terribly self conscious my whole number, was worried the damn things would open an stab me, and on top of that, I had friends in the audience that night. Not a good way to end the run.
As you can imagine, I was pretty angry afterward. Moreover, the costume designer was in town to "do maintenance" (she was really there for the Christmas party). To further fuel the flames of rage, I ran into her before she left Paris and got to hear how the costume breaking was L and I's fault. We must have pulled it too hard. The zipper can't be pulled up quickly otherwise it gets caught, so I have a hard time believing that. Apparently it was also unsewn in a number of places. Clearly a result of the sharp spikes that grown out of my side...
She then went on to say how she had so much to do in Paris, but was too tired and didn't even get half of it done. She should be bringing some costumes back with her to work on, but, boff, she was just too tired...
When I mentioned all this to the technical director, he seemed utterly shocked. Shocked I say! I just hope it shocks him into giving the costume designer a swift kick in the ass. She's being paid, and having her transportation paid for, by the circus and and yet the artists remain in disintegrating costumes.
The costume was fixed for the next night's show. I don't imagine anything will have changed when we start again in January, but hopefully there will be doubles, the doubles would have should have had months and months ago, when we come back from the break before the spring portion of the tour.
Keep your fingers crossed!
Tuesday, December 22, 2009
Circus in the Snow!
About a week ago I wrote about how exciting it was to have the circus covered in snow in Paris. I'm currently stranded in a scuzzy hotel hoping against hope that I'll actually be able to fly home tomorrow and not spend the better part of a day in line at the airport trying to find a way to Montreal, or evacuating because of a suspicious brown bag.
But since I really do love snow, here are some pictures I took when Paris was still awesome and not the city that ruined Christmas.
But since I really do love snow, here are some pictures I took when Paris was still awesome and not the city that ruined Christmas.
Friday, December 18, 2009
Thursday, December 17, 2009
WOOOOOOOO!
It's snowing in Paris! Everything is covered in white fluffy goodness! I'm so happy! Et en plus, tonight is the circus Christmas party!
It's snowing on Circus Christmas!
How wonderful is that? Pictures will follow, but I've got to get ready for the show!
It's snowing on Circus Christmas!
How wonderful is that? Pictures will follow, but I've got to get ready for the show!
Wednesday, December 16, 2009
It Was Bound to Happen...
Monday, December 14, 2009
Wait... What?
A rather curious article was sent to the troupe this morning. Well, not so much an article as a blog entry from some random corner of the internet. While the author has positive things to say about the show, that's not at all what she's interested in. Moreover, while I think what she has to say is meant to be quite positive, I'm personally not too sure how to take it.
Here's an excerpt (translated by yours truly):
"And so, looking at this heterogeneous troupe, we see different costumes ranging from total nudity to more or less becoming attire, I had the reflection that almost none of them had a body like we see in magazines or television: they were short, quite tall, some had a small pot belly, others had slightly saggy bottoms, were flat chested, and yet they showed what they could do with these non-ideal bodies without hesitation."
I can think of more than one person in the troupe that may develop a slight image complex from this article. I know that the author, a nutritional psychologist, is trying to point out that even professional circus artists and musicians don't have what is considered the perfect body, and yet look at the beautiful and poetic things they can do! The body is an instrument to create a story, not an end in itself...
That's all well and good, but she's not the one that has to parade her imperfect body on stage. I don't think I ever mentioned it before, but I was initially quite uncomfortable in my wheel costume. I was excited that it was red and a little bit sexy, but I when I was being fitted, it was often in the tent, with everyone else around. The cat calls and remarks about the top left me feeling rather uncomfortable, and seeing as I don't even wear shorts in real life, wearing tiny shorts on stage wasn't a very enjoyable prospect.
But I got used to my costume and all was well. Now I'll be worrying about my ginormous shoulders, pasty legs, and muscular thighs... Thanks nutritional psychologist lady! Way to show some sensitivity!
Sigh...
Here's an excerpt (translated by yours truly):
"And so, looking at this heterogeneous troupe, we see different costumes ranging from total nudity to more or less becoming attire, I had the reflection that almost none of them had a body like we see in magazines or television: they were short, quite tall, some had a small pot belly, others had slightly saggy bottoms, were flat chested, and yet they showed what they could do with these non-ideal bodies without hesitation."
I can think of more than one person in the troupe that may develop a slight image complex from this article. I know that the author, a nutritional psychologist, is trying to point out that even professional circus artists and musicians don't have what is considered the perfect body, and yet look at the beautiful and poetic things they can do! The body is an instrument to create a story, not an end in itself...
That's all well and good, but she's not the one that has to parade her imperfect body on stage. I don't think I ever mentioned it before, but I was initially quite uncomfortable in my wheel costume. I was excited that it was red and a little bit sexy, but I when I was being fitted, it was often in the tent, with everyone else around. The cat calls and remarks about the top left me feeling rather uncomfortable, and seeing as I don't even wear shorts in real life, wearing tiny shorts on stage wasn't a very enjoyable prospect.
But I got used to my costume and all was well. Now I'll be worrying about my ginormous shoulders, pasty legs, and muscular thighs... Thanks nutritional psychologist lady! Way to show some sensitivity!
Sigh...
Wardrobe Malfunction II
Just when I thought it was safe to go back on stage...
You know what's better than having your bra strap break, or having the front of your costume torn? Having the zipper on your itty bitty booty shorts break, exposing what your mama gave you to the world.
Fortunately, this happened after my number. I did have to go on stage in that costume again, but I'm mostly hidden by a very large canvas at that particular moment, so I like to think no one saw. Other than all the people sitting stage right, I mean...
I should have been expecting it. After all, il n'y a jamais deux sans trois!
You know what's better than having your bra strap break, or having the front of your costume torn? Having the zipper on your itty bitty booty shorts break, exposing what your mama gave you to the world.
Fortunately, this happened after my number. I did have to go on stage in that costume again, but I'm mostly hidden by a very large canvas at that particular moment, so I like to think no one saw. Other than all the people sitting stage right, I mean...
I should have been expecting it. After all, il n'y a jamais deux sans trois!
Saturday, December 12, 2009
Wardrobe Malfunction
While the term 'wardrobe malfunction' may give to visions of breasticles swaying in the breeze, I'm afraid my mishap wasn't nearly as exciting.
The show started out innocently enough. Then, mid-way through my number I noticed that one of the strings from the fabric we use as canvas in the show was stuck to my shoulder (the damn things get everywhere). Only it wasn't a string. It was my bra strap. It had either broke or come undone. I tried to ignore it but as the number progressed it continued its escape from underneath my costume.
Seeing as I didn't really have the freedom to stop and fix it, I decided to just ignore it and keep going. And so, while my bra strap was smacking me upside the head, my cast mates were having a right good laugh in the wings.
Humph.
You'd think that would have been enough for one show. But the wonderful world of live performance had a little more fun in store. In fact, I had just let down my guard. We had just finished the group trampoline number, the official end of the show, and were getting into place for the encore. I went to jump up onto the upper platform of the structure, just like I've done for over 50 shows, and my costume gets caught, the front rips off exposing considerable more of my cleavage than usual, and I get yanked down like a pup on a leash.
My cast mate's reaction to the event: "Aw... I didn't even get to see any tit!"
At least I can say that the eighth to last show really knocked some socks off! Or something...
The show started out innocently enough. Then, mid-way through my number I noticed that one of the strings from the fabric we use as canvas in the show was stuck to my shoulder (the damn things get everywhere). Only it wasn't a string. It was my bra strap. It had either broke or come undone. I tried to ignore it but as the number progressed it continued its escape from underneath my costume.
Seeing as I didn't really have the freedom to stop and fix it, I decided to just ignore it and keep going. And so, while my bra strap was smacking me upside the head, my cast mates were having a right good laugh in the wings.
Humph.
You'd think that would have been enough for one show. But the wonderful world of live performance had a little more fun in store. In fact, I had just let down my guard. We had just finished the group trampoline number, the official end of the show, and were getting into place for the encore. I went to jump up onto the upper platform of the structure, just like I've done for over 50 shows, and my costume gets caught, the front rips off exposing considerable more of my cleavage than usual, and I get yanked down like a pup on a leash.
My cast mate's reaction to the event: "Aw... I didn't even get to see any tit!"
At least I can say that the eighth to last show really knocked some socks off! Or something...
Friday, December 11, 2009
Not Until the Fat Lady Sings!
So I've been sitting on this bit of info for quite some time. Mostly because there was a period of uncertainty as to whether or not it would happen. And seeing as it's one hell of an event, I didn't want to jinx it. With the event in question only a week away, I think its safe to spill the beans.
Since a picture is worth a thousand words, I'll just let the let a couple of pictures do the talking...
I know, eh? The above would be Paris' National Opera at the Palais Garnier. Myself and two of my colleagues here at the circus will be doing the lead in to a performance by Guillaume Aldebert. He's the main attraction in a Christmas show being put on for the children of the French political elite. The show is the afternoon before our second to last performance in Paris. Should be interesting to see how things turn out...
Ah, quel vie de cirque!
Since a picture is worth a thousand words, I'll just let the let a couple of pictures do the talking...
I know, eh? The above would be Paris' National Opera at the Palais Garnier. Myself and two of my colleagues here at the circus will be doing the lead in to a performance by Guillaume Aldebert. He's the main attraction in a Christmas show being put on for the children of the French political elite. The show is the afternoon before our second to last performance in Paris. Should be interesting to see how things turn out...
Ah, quel vie de cirque!
Eight to Go!
There are eight shows to go before the holidays. You'd think things would be winding down, but its just the opposite. Time is running out! There's so much to do! Personally, I have two big projects to somehow pull off. More on that later.
In my head, its already Saturday, but sadly, its only Friday. The 51st show was pretty weak, and while last night's show went quite well, my sinus' chose that moment to wage war on the infection within. I spent most of the show feeling like I had a screw driver up my nose, poking me in the eye. At one point it felt like chlorinated water went up my nose.
In fact, the war being waged by my sinus' was so severe that it hurt not to blow my nose and I actually had to hide kleenex in my bra so I could discreetly blow my nose during the trampo-wall act. That, my friends, is the epitome of class.
What does tonight's show have in store? All will be revealed (to me, anyway) in four and a half hours!
In my head, its already Saturday, but sadly, its only Friday. The 51st show was pretty weak, and while last night's show went quite well, my sinus' chose that moment to wage war on the infection within. I spent most of the show feeling like I had a screw driver up my nose, poking me in the eye. At one point it felt like chlorinated water went up my nose.
In fact, the war being waged by my sinus' was so severe that it hurt not to blow my nose and I actually had to hide kleenex in my bra so I could discreetly blow my nose during the trampo-wall act. That, my friends, is the epitome of class.
What does tonight's show have in store? All will be revealed (to me, anyway) in four and a half hours!
Wednesday, December 9, 2009
Countdown
Sitting in my caravan, applying the finishing touches of my make-up, all I can think of is Montreal, how I'm missing out on the first snow storm of the season, and how the Olympic torch will be passing through my home town tomorrow. I think of these things and I ache to be home.
Compared to the first stretch of the tour, this is a short stint in France. But in light of recent family tragedies and the up-coming holidays, I'm finding myself less and less enthusiastic to do to the show. I just want to go home.
Ten more shows. Just ten more shows...
Compared to the first stretch of the tour, this is a short stint in France. But in light of recent family tragedies and the up-coming holidays, I'm finding myself less and less enthusiastic to do to the show. I just want to go home.
Ten more shows. Just ten more shows...
Friday, December 4, 2009
Chosen Life
Those who know me often marvel at this circus life I have chosen. They’re awed by the feats that my fellows and I perform, and envy the traveling and the mystique. For them, the romance of circus is alive and well. As well it should be. The magic of the Big Top, the spectacle, the thrills… it wouldn’t be circus otherwise. For the most part, even I’ve maintained this view of the world I now inhabit. There are hardships, of course, but you learn to take them with a grain of salt. After all, don’t all great romances have their share of difficulties?
But no matter how spellbound one might be by the world of circus and all its splendours, and I say this as an acrobat in the thick of it all, there comes a time where the consequences of having chosen this life come to harsh reality.
My grandfather died a month ago. A couple of weeks before that, I received some very bad news concerning my sister. And despite all the goodwill of my heart, here I was, completely helpless in Paris.
The initial news about my grandfather was that he wouldn’t live to see the end of the week. I was told to ask what the company policy was when there is a death in the family. I received this news a Sunday morning, right before a show. Every time I return to France for work, my great fear is that something should happen at home, and that I can’t be there. Every time I leave, I wonder if I will ever see my grandparents again.
This time I received an answer.
When I asked about potentially going home for the funeral, I was later told by the director that I was indispensable to the show and that it wouldn’t be possible. I mostly expected that response. In truth, I had hoped for it. I know that makes me sound like a terrible person, but under the circumstances, I couldn’t handle the stress of having to choose between going home and the madness that would accompany that decision, not to mention the guilt and disrespect towards the troupe, and staying in Paris to perform, not having that closure and being unable to be there with my family in that moment of duress.
I’m not proud of it, but I can’t deny it was a relief to have that responsibility taken away from me.
And I cried. And no matter who offered what kind of comfort, all I could do was ask them to wait… to leave me alone until the end of the show… otherwise, there was no way I would make it through. It was one of the hardest performances of my life. I scarcely remember how I felt, just that I hated every moment of it and was on the verge of tears the entire time.
Tuesday morning I got the call that my grandfather had passed. Being the weekend at the circus, there was virtually no one on site. I was terribly and desperately alone. To add insult to injury, Wednesday evening, just before the show I found some packages waiting for me in my trunk backstage. One was from my grandparents, signed from both of them. Of course it had been mailed before my grandfather had died, but nevertheless it was a painful reminder and a slap in the face from the Universe. Again, I cried. For the rest of the week I painted large bouquets of flowers at the end of the show.
And while I must admit that the idea of a funeral scared me (this is the first grandparent I’ve lost) and the image of my grandfather in a casket rips my heart to shreds and I don’t know if I could have handled it, I envy my siblings for being able to be there and having that closure. To a certain extent, none of this seems real. I’m just going to go home and never see my grandfather again. How do you deal with that?
My answer, of course, is baking.
Since I couldn’t be there for the actual funeral, I felt it was important to make some kind of gesture to mark my grandfather’s passing. As such, I baked the most complex, elaborate and chocolately cake in my repertoire. I invited the troupe and those who work at the circus’ bar to share it with me. To my great relief, one of the more senior members of the troupe led the proceedings. I said some words and we shared a moment of silence. Then we saluted my late grandfather and enjoyed the cake baked in his honour. Though I did have to remind certain people who were very excited to eat cake (“Le gateau! Le gateau!”) that it was not so much about the cake as it was about the passing of my grandfather.
And so a month has gone by, I have another 20 shows under my belt, and more than ever the fence surrounding the lot feels like a cage keeping me in my circus bubble. Two and half more weeks and I'll finally make it home... two and half more weeks...
But no matter how spellbound one might be by the world of circus and all its splendours, and I say this as an acrobat in the thick of it all, there comes a time where the consequences of having chosen this life come to harsh reality.
My grandfather died a month ago. A couple of weeks before that, I received some very bad news concerning my sister. And despite all the goodwill of my heart, here I was, completely helpless in Paris.
The initial news about my grandfather was that he wouldn’t live to see the end of the week. I was told to ask what the company policy was when there is a death in the family. I received this news a Sunday morning, right before a show. Every time I return to France for work, my great fear is that something should happen at home, and that I can’t be there. Every time I leave, I wonder if I will ever see my grandparents again.
This time I received an answer.
When I asked about potentially going home for the funeral, I was later told by the director that I was indispensable to the show and that it wouldn’t be possible. I mostly expected that response. In truth, I had hoped for it. I know that makes me sound like a terrible person, but under the circumstances, I couldn’t handle the stress of having to choose between going home and the madness that would accompany that decision, not to mention the guilt and disrespect towards the troupe, and staying in Paris to perform, not having that closure and being unable to be there with my family in that moment of duress.
I’m not proud of it, but I can’t deny it was a relief to have that responsibility taken away from me.
And I cried. And no matter who offered what kind of comfort, all I could do was ask them to wait… to leave me alone until the end of the show… otherwise, there was no way I would make it through. It was one of the hardest performances of my life. I scarcely remember how I felt, just that I hated every moment of it and was on the verge of tears the entire time.
Tuesday morning I got the call that my grandfather had passed. Being the weekend at the circus, there was virtually no one on site. I was terribly and desperately alone. To add insult to injury, Wednesday evening, just before the show I found some packages waiting for me in my trunk backstage. One was from my grandparents, signed from both of them. Of course it had been mailed before my grandfather had died, but nevertheless it was a painful reminder and a slap in the face from the Universe. Again, I cried. For the rest of the week I painted large bouquets of flowers at the end of the show.
And while I must admit that the idea of a funeral scared me (this is the first grandparent I’ve lost) and the image of my grandfather in a casket rips my heart to shreds and I don’t know if I could have handled it, I envy my siblings for being able to be there and having that closure. To a certain extent, none of this seems real. I’m just going to go home and never see my grandfather again. How do you deal with that?
My answer, of course, is baking.
Since I couldn’t be there for the actual funeral, I felt it was important to make some kind of gesture to mark my grandfather’s passing. As such, I baked the most complex, elaborate and chocolately cake in my repertoire. I invited the troupe and those who work at the circus’ bar to share it with me. To my great relief, one of the more senior members of the troupe led the proceedings. I said some words and we shared a moment of silence. Then we saluted my late grandfather and enjoyed the cake baked in his honour. Though I did have to remind certain people who were very excited to eat cake (“Le gateau! Le gateau!”) that it was not so much about the cake as it was about the passing of my grandfather.
And so a month has gone by, I have another 20 shows under my belt, and more than ever the fence surrounding the lot feels like a cage keeping me in my circus bubble. Two and half more weeks and I'll finally make it home... two and half more weeks...
Tuesday, December 1, 2009
Le Musee des Arts Forains
Yesterday I had the extreme good fortune of visiting Paris' Museum of Fairground Art along with the cast of La Clique. Located at Les Pavillions de Bercy, this spectacular museum is only available to groups who request a guided tour. Being a wily band of circus folk, we also had the honour of meeting the man who started the collection, Jean-Paul Favand, and were even permitted to peruse the warehouses!
The collection is huge and beautifully presented. The space also doubles as a rental hall. But the best part is that they actually let you play some of the games and ride the rides! I was pretty skeptical of this one old timey ride where you pedal a bike (I'm told it was a thrill to try a bike way back in the day) and your pedaling powers the ride. But it turns out the damn thing goes hella fast and the tour guide constantly had to pull a brake to prevent the thing from picking up too much speed and throwing us off!
After the rides, the most wonderful part would definitely be the warehouses. As I mentioned, they aren't normally part of the tour. One room housed all the carousel characters awaiting restoration. Then there were these creepy wax models of messed up anatomy. To give you an idea, the double penis/triple scrotum was the least disturbing specimen...
Lastly, we visited a room housing the museum's most recently acquired collection. It consists of over 2000 individual objects! They are they sets, puppets and original mask molds belonging to a family run company that operated for over 200 years! The room was made up almost entirely of heads. All kinds of heads of every imaginable character all for the purpose of making rubber masks. They had everything from fictional characters to politicians, pop culture icons to mutilated zombies. It was brilliant. They even had the heads of two former Canadian Prime Ministers! I was quite surprised.
Oh, and you may be familiar with the fellow who appears at the 1 minute 50 second mark of the following video. His remains could be found at the museum as well!
All in all, we were there for three hours. The history and artistry is absolutely magnificent. When carnivals were at their peak, part of the draw was their splendor. Looking at today's carnival rides, you would never imagine that only 100 years ago, carousel horses were hand carved with real horse hair tails*! Not to mention the gold leaf and inlaid mirrors. Here are a few more pictures because really, you don't read a museum, you see it.
* Only the German made horses used real horse hair for tails. Otherwise, they were made of wood.
The collection is huge and beautifully presented. The space also doubles as a rental hall. But the best part is that they actually let you play some of the games and ride the rides! I was pretty skeptical of this one old timey ride where you pedal a bike (I'm told it was a thrill to try a bike way back in the day) and your pedaling powers the ride. But it turns out the damn thing goes hella fast and the tour guide constantly had to pull a brake to prevent the thing from picking up too much speed and throwing us off!
After the rides, the most wonderful part would definitely be the warehouses. As I mentioned, they aren't normally part of the tour. One room housed all the carousel characters awaiting restoration. Then there were these creepy wax models of messed up anatomy. To give you an idea, the double penis/triple scrotum was the least disturbing specimen...
Lastly, we visited a room housing the museum's most recently acquired collection. It consists of over 2000 individual objects! They are they sets, puppets and original mask molds belonging to a family run company that operated for over 200 years! The room was made up almost entirely of heads. All kinds of heads of every imaginable character all for the purpose of making rubber masks. They had everything from fictional characters to politicians, pop culture icons to mutilated zombies. It was brilliant. They even had the heads of two former Canadian Prime Ministers! I was quite surprised.
Oh, and you may be familiar with the fellow who appears at the 1 minute 50 second mark of the following video. His remains could be found at the museum as well!
All in all, we were there for three hours. The history and artistry is absolutely magnificent. When carnivals were at their peak, part of the draw was their splendor. Looking at today's carnival rides, you would never imagine that only 100 years ago, carousel horses were hand carved with real horse hair tails*! Not to mention the gold leaf and inlaid mirrors. Here are a few more pictures because really, you don't read a museum, you see it.
* Only the German made horses used real horse hair for tails. Otherwise, they were made of wood.
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